Rising Sun Chord Progression (i–♭III–IV–♭VI–V)
The full 'House of the Rising Sun' cycle: an arpeggiated minor climb with a Dorian IV, cadencing on a major V.
The chords, in every key
i – ♭III – IV – ♭VI – i – ♭III – V
| Bar | Chord | Numeral |
|---|---|---|
| 1 | Cm | i |
| 2 | Eb | ♭III |
| 3 | F | IV |
| 4 | Ab | ♭VI |
| 5 | Cm | i |
| 6 | Eb | ♭III |
| 7 | G | V |
What to play over it
In C minor. Shapes on each progression's own page.
This one plays the 6th both ways, flat and natural, so no single scale fits the whole thing. The scale changes with the chord.
C Natural Minor (Aeolian)
the plain minor scaleNotesCDE♭FGA♭B♭
Home base — the one set of notes all these bars share.
Chord-Scale Reference §3 / §7.4
F Mixolydian
major with a flat 7thNotesFGAB♭CDE♭
A major IV in a minor key brightens the 6th. This is the key's notes counted from that chord.
Chord-Scale Reference §9.4
G Phrygian dominant
Phrygian, but with a major 3rdNotesGA♭BCDE♭F
This chord raises the key's 7th so it pulls hard back home — plain minor can't do that, and the scale carries the raised note with it.
Chord-Scale Reference §3
| Bar | Chord | Numeral |
|---|---|---|
| 1 | C#m | i |
| 2 | E | ♭III |
| 3 | F# | IV |
| 4 | A | ♭VI |
| 5 | C#m | i |
| 6 | E | ♭III |
| 7 | G# | V |
What to play over it
In C# minor. Shapes on each progression's own page.
This one plays the 6th both ways, flat and natural, so no single scale fits the whole thing. The scale changes with the chord.
C# Natural Minor (Aeolian)
the plain minor scaleNotesC♯D♯EF♯G♯AB
Home base — the one set of notes all these bars share.
Chord-Scale Reference §3 / §7.4
F# Mixolydian
major with a flat 7thNotesF♯G♯A♯BC♯D♯E
A major IV in a minor key brightens the 6th. This is the key's notes counted from that chord.
Chord-Scale Reference §9.4
G# Phrygian dominant
Phrygian, but with a major 3rdNotesG♯AB♯C♯D♯EF♯
This chord raises the key's 7th so it pulls hard back home — plain minor can't do that, and the scale carries the raised note with it.
Chord-Scale Reference §3
| Bar | Chord | Numeral |
|---|---|---|
| 1 | Dm | i |
| 2 | F | ♭III |
| 3 | G | IV |
| 4 | Bb | ♭VI |
| 5 | Dm | i |
| 6 | F | ♭III |
| 7 | A | V |
What to play over it
In D minor. Shapes on each progression's own page.
This one plays the 6th both ways, flat and natural, so no single scale fits the whole thing. The scale changes with the chord.
D Natural Minor (Aeolian)
the plain minor scaleNotesDEFGAB♭C
Home base — the one set of notes all these bars share.
Chord-Scale Reference §3 / §7.4
G Mixolydian
major with a flat 7thNotesGABCDEF
A major IV in a minor key brightens the 6th. This is the key's notes counted from that chord.
Chord-Scale Reference §9.4
A Phrygian dominant
Phrygian, but with a major 3rdNotesAB♭C♯DEFG
This chord raises the key's 7th so it pulls hard back home — plain minor can't do that, and the scale carries the raised note with it.
Chord-Scale Reference §3
| Bar | Chord | Numeral |
|---|---|---|
| 1 | Ebm | i |
| 2 | Gb | ♭III |
| 3 | Ab | IV |
| 4 | Cb | ♭VI |
| 5 | Ebm | i |
| 6 | Gb | ♭III |
| 7 | Bb | V |
What to play over it
In Eb minor. Shapes on each progression's own page.
This one plays the 6th both ways, flat and natural, so no single scale fits the whole thing. The scale changes with the chord.
Eb Natural Minor (Aeolian)
the plain minor scaleNotesE♭FG♭A♭B♭C♭D♭
Home base — the one set of notes all these bars share.
Chord-Scale Reference §3 / §7.4
Ab Mixolydian
major with a flat 7thNotesA♭B♭CD♭E♭FG♭
A major IV in a minor key brightens the 6th. This is the key's notes counted from that chord.
Chord-Scale Reference §9.4
Bb Phrygian dominant
Phrygian, but with a major 3rdNotesB♭C♭DE♭FG♭A♭
This chord raises the key's 7th so it pulls hard back home — plain minor can't do that, and the scale carries the raised note with it.
Chord-Scale Reference §3
| Bar | Chord | Numeral |
|---|---|---|
| 1 | Em | i |
| 2 | G | ♭III |
| 3 | A | IV |
| 4 | C | ♭VI |
| 5 | Em | i |
| 6 | G | ♭III |
| 7 | B | V |
What to play over it
In E minor. Shapes on each progression's own page.
This one plays the 6th both ways, flat and natural, so no single scale fits the whole thing. The scale changes with the chord.
E Natural Minor (Aeolian)
the plain minor scaleNotesEF♯GABCD
Home base — the one set of notes all these bars share.
Chord-Scale Reference §3 / §7.4
A Mixolydian
major with a flat 7thNotesABC♯DEF♯G
A major IV in a minor key brightens the 6th. This is the key's notes counted from that chord.
Chord-Scale Reference §9.4
B Phrygian dominant
Phrygian, but with a major 3rdNotesBCD♯EF♯GA
This chord raises the key's 7th so it pulls hard back home — plain minor can't do that, and the scale carries the raised note with it.
Chord-Scale Reference §3
| Bar | Chord | Numeral |
|---|---|---|
| 1 | Fm | i |
| 2 | Ab | ♭III |
| 3 | Bb | IV |
| 4 | Db | ♭VI |
| 5 | Fm | i |
| 6 | Ab | ♭III |
| 7 | C | V |
What to play over it
In F minor. Shapes on each progression's own page.
This one plays the 6th both ways, flat and natural, so no single scale fits the whole thing. The scale changes with the chord.
F Natural Minor (Aeolian)
the plain minor scaleNotesFGA♭B♭CD♭E♭
Home base — the one set of notes all these bars share.
Chord-Scale Reference §3 / §7.4
Bb Mixolydian
major with a flat 7thNotesB♭CDE♭FGA♭
A major IV in a minor key brightens the 6th. This is the key's notes counted from that chord.
Chord-Scale Reference §9.4
C Phrygian dominant
Phrygian, but with a major 3rdNotesCD♭EFGA♭B♭
This chord raises the key's 7th so it pulls hard back home — plain minor can't do that, and the scale carries the raised note with it.
Chord-Scale Reference §3
| Bar | Chord | Numeral |
|---|---|---|
| 1 | F#m | i |
| 2 | A | ♭III |
| 3 | B | IV |
| 4 | D | ♭VI |
| 5 | F#m | i |
| 6 | A | ♭III |
| 7 | C# | V |
What to play over it
In F# minor. Shapes on each progression's own page.
This one plays the 6th both ways, flat and natural, so no single scale fits the whole thing. The scale changes with the chord.
F# Natural Minor (Aeolian)
the plain minor scaleNotesF♯G♯ABC♯DE
Home base — the one set of notes all these bars share.
Chord-Scale Reference §3 / §7.4
B Mixolydian
major with a flat 7thNotesBC♯D♯EF♯G♯A
A major IV in a minor key brightens the 6th. This is the key's notes counted from that chord.
Chord-Scale Reference §9.4
C# Phrygian dominant
Phrygian, but with a major 3rdNotesC♯DE♯F♯G♯AB
This chord raises the key's 7th so it pulls hard back home — plain minor can't do that, and the scale carries the raised note with it.
Chord-Scale Reference §3
| Bar | Chord | Numeral |
|---|---|---|
| 1 | Gm | i |
| 2 | Bb | ♭III |
| 3 | C | IV |
| 4 | Eb | ♭VI |
| 5 | Gm | i |
| 6 | Bb | ♭III |
| 7 | D | V |
What to play over it
In G minor. Shapes on each progression's own page.
This one plays the 6th both ways, flat and natural, so no single scale fits the whole thing. The scale changes with the chord.
G Natural Minor (Aeolian)
the plain minor scaleNotesGAB♭CDE♭F
Home base — the one set of notes all these bars share.
Chord-Scale Reference §3 / §7.4
C Mixolydian
major with a flat 7thNotesCDEFGAB♭
A major IV in a minor key brightens the 6th. This is the key's notes counted from that chord.
Chord-Scale Reference §9.4
D Phrygian dominant
Phrygian, but with a major 3rdNotesDE♭F♯GAB♭C
This chord raises the key's 7th so it pulls hard back home — plain minor can't do that, and the scale carries the raised note with it.
Chord-Scale Reference §3
| Bar | Chord | Numeral |
|---|---|---|
| 1 | G#m | i |
| 2 | B | ♭III |
| 3 | C# | IV |
| 4 | E | ♭VI |
| 5 | G#m | i |
| 6 | B | ♭III |
| 7 | D# | V |
What to play over it
In G# minor. Shapes on each progression's own page.
This one plays the 6th both ways, flat and natural, so no single scale fits the whole thing. The scale changes with the chord.
G# Natural Minor (Aeolian)
the plain minor scaleNotesG♯A♯BC♯D♯EF♯
Home base — the one set of notes all these bars share.
Chord-Scale Reference §3 / §7.4
C# Mixolydian
major with a flat 7thNotesC♯D♯E♯F♯G♯A♯B
A major IV in a minor key brightens the 6th. This is the key's notes counted from that chord.
Chord-Scale Reference §9.4
D# Phrygian dominant
Phrygian, but with a major 3rdNotesD♯EF♯♯G♯A♯BC♯
This chord raises the key's 7th so it pulls hard back home — plain minor can't do that, and the scale carries the raised note with it.
Chord-Scale Reference §3
| Bar | Chord | Numeral |
|---|---|---|
| 1 | Am | i |
| 2 | C | ♭III |
| 3 | D | IV |
| 4 | F | ♭VI |
| 5 | Am | i |
| 6 | C | ♭III |
| 7 | E | V |
What to play over it
In A minor. Shapes on each progression's own page.
This one plays the 6th both ways, flat and natural, so no single scale fits the whole thing. The scale changes with the chord.
A Natural Minor (Aeolian)
the plain minor scaleNotesABCDEFG
Home base — the one set of notes all these bars share.
Chord-Scale Reference §3 / §7.4
D Mixolydian
major with a flat 7thNotesDEF♯GABC
A major IV in a minor key brightens the 6th. This is the key's notes counted from that chord.
Chord-Scale Reference §9.4
E Phrygian dominant
Phrygian, but with a major 3rdNotesEFG♯ABCD
This chord raises the key's 7th so it pulls hard back home — plain minor can't do that, and the scale carries the raised note with it.
Chord-Scale Reference §3
| Bar | Chord | Numeral |
|---|---|---|
| 1 | Bbm | i |
| 2 | Db | ♭III |
| 3 | Eb | IV |
| 4 | Gb | ♭VI |
| 5 | Bbm | i |
| 6 | Db | ♭III |
| 7 | F | V |
What to play over it
In Bb minor. Shapes on each progression's own page.
This one plays the 6th both ways, flat and natural, so no single scale fits the whole thing. The scale changes with the chord.
Bb Natural Minor (Aeolian)
the plain minor scaleNotesB♭CD♭E♭FG♭A♭
Home base — the one set of notes all these bars share.
Chord-Scale Reference §3 / §7.4
Eb Mixolydian
major with a flat 7thNotesE♭FGA♭B♭CD♭
A major IV in a minor key brightens the 6th. This is the key's notes counted from that chord.
Chord-Scale Reference §9.4
F Phrygian dominant
Phrygian, but with a major 3rdNotesFG♭AB♭CD♭E♭
This chord raises the key's 7th so it pulls hard back home — plain minor can't do that, and the scale carries the raised note with it.
Chord-Scale Reference §3
| Bar | Chord | Numeral |
|---|---|---|
| 1 | Bm | i |
| 2 | D | ♭III |
| 3 | E | IV |
| 4 | G | ♭VI |
| 5 | Bm | i |
| 6 | D | ♭III |
| 7 | F# | V |
What to play over it
In B minor. Shapes on each progression's own page.
This one plays the 6th both ways, flat and natural, so no single scale fits the whole thing. The scale changes with the chord.
B Natural Minor (Aeolian)
the plain minor scaleNotesBC♯DEF♯GA
Home base — the one set of notes all these bars share.
Chord-Scale Reference §3 / §7.4
E Mixolydian
major with a flat 7thNotesEF♯G♯ABC♯D
A major IV in a minor key brightens the 6th. This is the key's notes counted from that chord.
Chord-Scale Reference §9.4
F# Phrygian dominant
Phrygian, but with a major 3rdNotesF♯GA♯BC♯DE
This chord raises the key's 7th so it pulls hard back home — plain minor can't do that, and the scale carries the raised note with it.
Chord-Scale Reference §3
The shapes
Drawn in C minor. Each one is movable \u2014 slide the whole pattern to put its root on the key you picked above.
C Natural Minor (Aeolian)
the plain minor scaleNotesCDE♭FGA♭B♭
Home base — the one set of notes all these bars share.
Chord-Scale Reference §3 / §7.4
F Mixolydian
major with a flat 7thNotesFGAB♭CDE♭
A major IV in a minor key brightens the 6th. This is the key's notes counted from that chord.
Chord-Scale Reference §9.4
G Phrygian dominant
Phrygian, but with a major 3rdNotesGA♭BCDE♭F
This chord raises the key's 7th so it pulls hard back home — plain minor can't do that, and the scale carries the raised note with it.
Chord-Scale Reference §3
Documented in the wild
- House of the Rising SunThe Animals
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